Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.
"This ain't Aruba, bitch." - Bunk Moreland
Freamon keeps a look out for Marlo, who is putting together a deal with Avon Barksdale. Davis goes to Burrell for help, but finds that the commissioner's hands are tied. Whiting puts together a series on broad strokes.
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