Just for Kicks is a 2005 documentary film about the sneaker phenomena and history. It includes self confessed "sneakerheads" like Grandmaster Caz, Reverend Run, and Missy Elliott. It tells the story of the legendary Nike Air Force One's, or as they are called in New York "Uptowns." Also about the beginning of Air Jordans. The documentary also tells the story of how hip-hop pioneers DJ Run, Jam Master Jay, and DMC had everyone wearing Adidas Superstars with their smash hit "My Adidas."
When documentarian Josh Fox realizes, after much soul searching, that the answers for how to respond to the degradation of our environment cannot be found in his own back yard, he travels the world to connect with communities that are already facing grave effects of climate change. What he finds is a complicated mix of tragedy and inspiration in the various ways climate change is affecting our value systems. How to Let Go of the World delivers a sobering portrait of the state of climate change, and takes stock of what makes humans survivors, and our societies so creative and resilient.
A nostalgic and compelling look into the legendary three camera, three projector process that revolutionized motion pictures and led the industry into the widescreen era.
Major League Baseball has been transformed by the influx of Cuban players such as Aroldis Chapman, Yasiel Puig and Jose Abreu. But a special debt of gratitude is owed to two half-brothers, whose courage two decades ago paved the way for their stardom. "Brothers in Exile" tells the incredible story of Livan and Orlando "El Duque" Hernandez, who risked their lives to get off the island.
Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.
Each night in Silicon Valley, the Line 22 transforms from a public city bus into an unofficial shelter for the homeless in one of the richest parts of the world.
A visit to the studio of Ernst Wilhelm Nay, a remarkable, if somewhat solitary German artist, who established his status at age 30, just before the advent of the Nazi takeover. Nay belonged to the persecuted generation of German artists who, just as their work began to blossom, were forced out by Hitler's art dictatorship. Labeling the art "decadent", the Hitler regime called for the removal of Nay's paintings from museum collections and the artist was banned from showcasing his new work. After the end of World War II, Nay returned to painting and worked tirelessly to make up for lost time, producing new pieces year after year and quickly becoming one of Germany's leading painters. Ernst Wilhelm Nay died in 1968 at the age of 65 yet his studio, still intact, offers a retrospective of his work starting from the 1920s. His wife, Elisabeth Nay walks us through the studio, offering insights into her husband's process and creative intent.
This documentary seeks to open your eyes to the the costly consequences of the Information Age, when we are addicted to constantly replacing our electronic devices with newer and better versions.
Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.
Lost Boys of Sudan is a feature-length documentary that follows two Sudanese refugees on an extraordinary journey from Africa to America. Orphaned as young boys in one of Africa's cruelest civil wars, Peter Dut and Santino Chuor survived lion attacks and militia gunfire to reach a refugee camp in Kenya along with thousands of other children. From there, remarkably, they were chosen to come to America. Safe at last from physical danger and hunger, a world away from home, they find themselves confronted with the abundance and alienation of contemporary American suburbia
This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.
The final months in the life of a terminally ill prisoner and the hospice volunteers, they themselves prisoners, who care for him in one of America's oldest maximum security prisons.
The Godfather of electronic music is on a one-way trip to crack America, returning to the studio for the first time in nearly a decade. Android is a celebration of a music-making pioneer and the love story that helped him turn his life around.
A mix of live performances and behind-the-scenes footage from the televised benefit concert to raise relief funds for victims of Hurricane Sandy in 2012.
Best known as the inventor of the Moog synthesizer, Robert Moog was an American pioneer of electronic music, and shaped musical culture with some of the most inspiring electronic instruments ever created. This "compelling documentary portrait of a provocative, thoughtful and deeply sympathetic figure" (New York Times) peeks into the inventor's mind and the worldwide phenomenon he fomented.
Four and a half billion years ago, the young Earth was a hellish place-a seething chaos of meteorite impacts, volcanoes belching noxious gases, and lightning flashing through a thin, torrid...
Filmmaker and evolutionary biologist Randy Olson tries to figure out if it is the Darwinists or Intelligent Design supporters who will become a flock of dodos.
Our healthcare system is broken. Potent forces fight to maintain the status quo in a medical industry created for quick fixes, rather than prevention; for profit-driven, rather than patient-driven, care. Healthcare is at the center of an intense political firestorm in our nation's capital. But the current battle over cost and access does not ultimately address the root of the problem: we have a disease-care system, not a health-care one. After decades of opposition, a movement to introduce innovative high-touch, low-cost methods of prevention and healing is finally gaining ground.
Beyoncé takes viewers on a journey through Africa with an hour-long documentary special, an intimate behind-the-scenes look at the making of the album, The Lion King: The Gift, featuring candid footage and interviews detailing the hard work and passion that went into her love letter to Africa.
In 1994, four women were accused, tried, and convicted of the heinous sexual assault of two young girls—as one newscaster puts it, “the modern version of the witchcraft trials.” Twenty years later, the four women have maintained their innocence, insisting that the accusations were entirely fabricated, and borne of homophobic prejudice and a late-’90s mania about covens, cults, and child abuse.
Planetary presents a stunning visual portrait of our Earth, taking us on a journey across continents: from the African savannah to the Himalayas, and from the heart of Tokyo to the view of our fragile planet from orbit. Through intimate interviews with a diversity of people, from NASA astronauts and environmentalists to philosophers and Tibetan lamas, the film explores our shared future. It suggests that the key to transforming our civilisation lies in an understanding that all life is inseparably interconnected, and that we cannot change the world unless we change the way we see ourselves, our planet, and the wider cosmos we are embedded within.
An ode to man's capacity to care for all creatures throughout their sometimes greatly protracted existence, displayed through the homegrown remedies Tom and Debbie Nicholson create for disabled animals.
In an epic snow year, five friends leave their daily lives behind to hike California's historic John Muir Trail, a 211-mile stretch from Yosemite to Mt. Whitney (the highest peak in the contiguous U.S.). Their goal - complete the journey in 25 days while capturing the amazing sights & sounds they encounter along the way. Inspired by their bond, humor, artistry & dedication, the group continues to grow: to include other artists, musicians & adventure seekers. Before they all reach the summit, hikers and viewers alike affirm the old adage - it's about the journey, not the destination. Mile... Mile & A Half is the feature-length documentary of that journey...
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