The day of the “Event” has arrived and Dalila, Jano, Daph D, Megan, Putricia, Ciara, Barbara and Zodoma, are here to climb on heels higher than the walls of the genre and the identity. Together they will expand the limits of imagination; the makeup will be their war paint and their dresses the armor.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
The film is based on the oral testimony of Josefa Castro García, recorded in 2013 when she was 90 years old, in which she recounts her life marked by the Civil War and post-war repression. Through her narration, the students with the same age as Josefa Castro was during the Civil War, 16-18 years, have developed a cinematographic proposal in parallel to their process of shared discovery of audiovisual language.
Three young aspiring artists fly to Brazil to present their film at the Shortfilm World Cup. Reality and fiction merge to the point where the viewer might wonder if anything is actually real when there's a camera recording it.
Bajo Fuego depicts the unraveling of peace for a group of coca growing peasants in the southwest of Colombia. The film takes the perspective of the ‘cocaleros’ and over a period of 3 years shows how they survive in the midst of the most difficult circumstances. The government delays in fulfilling what it promised in the agreement, economic difficulties arise for families that substituted their coca trees, and the increasing presence of armed groups start to terrorise the region. The promised peace in Colombia turns out to be an illusion when the newly armed groups take control, assassinations occur, and the films’ main protagonists are being threatened with their lives and displaced. Even though peace was supposedly signed in Colombia, Bajo Fuego shows that for many in the southwest of Colombia the war continues.
After a self-exploratory workshop called “Primitive Voice”, Mihai and Octavia decide to embark on a painful and uncomfortable journey within themselves. Using their voices in unconventional ways along this transformative process, they both confront memories, emotions and patterns of behaviour which have kept them stuck into their past. Guided by the voice therapist Jean-René Toussaint and by a strong desire to find their inner freedom, they come to realize that meeting themselves brings them closer to the ones they love.
Having lost her memory, A. could barely recall glimpses of her childhood in Argentina. After her death, her son visits the empty house for the last time. A sensory journey through a house without objects but filled with memory.
A journey to the heart of the mystery of flamenco music. At 62 years old, the master flutist Jorge Pardo, father of the flamenco-jazz fusion with the guitarist Paco de Lucía, takes up the challenge to gather the greatest musicians of today for a unique concert. Transe is an adventure that gives pride of place to musical performances. From Andalusia to New York and India, Jorge Pardo gives us his vision of music. A living portrait of the "founding father" of flamenco-jazz fusion and the world of contemporary flamenco, where tradition opens its doors to the world.
Karol Sevilla and Pipe Bueno talk about their on-screen chemistry and the challenge Pipe faced when taking on a lead role. Christian Tappan talks about how he took on the challenge of representing his character. Exclusive off-screen material, videos recorded by the actors themselves on their phones, and records of castings and rehearsals will be unveiled.
Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
In 1992, a suburban New York teenager named Amy Fisher captured the national media's attention when she shot her lover's wife in the face. This sordid tale of underage sex, aggravated assault, and Joey Buttafuoco managed to spawn not one, not two, but three separate made-for-TV movies. Drew Barrymore, Alyssa Milano and Noëlle Parker all took stabs at portraying the disturbed young lady, yet a true on-screen depiction of Amy Fisher has never emerged - until now. In this Rashomon of found footage film, director Dan Kapelovitz mind-melds the multiple melodramas into one ultimate metadrama mashup.
Shabnam was attacked with acid when she was a teenager. Today she is a Shero, a women's rights activist from India who is raising her daughter by teaching her the value of beauty and feminine strength, beyond social conventions.
In 1975 French Oscar-winning documentary filmmaker Pierre Dominique Gaisseau traveled to Panama to make a film on the indigenous island-dwelling Kuna people. Accompanied by his wife and their daughter, Gaisseau lived with the Kuna for a year, gaining their trust and filming their most intimate ceremonies. He promised to share the resulting film with the community, but that never happened. Fifty years later, the Kunas are still waiting to discover “their” film, now a legend passed down from the elders to the new generation. One day, a hidden copy is found in Paris…While uncovering this fascinating story with humility and warmth, Swiss-Panamanian filmmaker Andrés Peyrot succeeds in capturing a true sense of culture and place. The result is simultaneously a cautionary tale raising questions around how and why documentaries are made and for whom, and a testament to the power of what it means to see yourself on the big screen.
A documentary crossing all aspects of Sophia Loren's life: cinema, entertainment, private life, triumphs, challenges, suffering. How was the star born? How was a cinematographic archetype built? Childhood during the war in Naples, a beloved family, her mother Romilda, her beginnings at Cinecittà, her triumphs of Hollywood and her great love with Carlo Ponti.
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