The film trilogy "Tetuan, Tetuán, Tetwan" deals with the traces that the colonial past in Morocco has left in Spanish society through an experimental collaborative methodology. It examines cultural production, public space and the collective imaginary through the prism of the ghost, understood as an echo of silenced voices and historical facts. Developed with Moroccan and Spanish cultural agents, the project explores narrative strategies to resignify places such as the Plaça Tetuan in Barcelona, the neighborhood of Tetuán de las Victorias in Madrid or the cinema “Español” in the proper city of Tetwan, Morroco.
Four transgender people are wandering around the streets while they tell us about their life experiences in a country that doesn't have a place for them. They only ask for dignity, love and respect, struggling against Chile's worst face.
In Honduras, the most dangerous place in the world to be a land defender, the Lenca and Garífuna people are not backing down. They are fighting to uphold their spirituality and Indigenous ways of life in the face of state backed mega-projects and narco-traffickers who seek to assassinate them, destroy their lands, and erase their existence.
In Costa Rica, the family of Melba (65) and Víctor (70) has sheltered over 130 children in the last 40 years. Today, some of them seek paths to adulthood while a new child is integrated into this great family with the adventures and difficulties of a home that continues to multiply despite the parents’ advanced age.
An account, in his own words and those of his relatives, of the life and work of the brilliant Manuel Pérez-Sanjulián Clemente, one of the most important Spanish illustrators of all times.
In the early ‘70s, in Argentina, a group of homosexuals decided to confront the status quo. With testimonies from its survivors as its denouncement source, Sex and Revolution brings back the voices of those who thought in order to be recognized as political actors in a society that wasn’t prepared for them.
María Estela Martínez, better known as Isabel Perón, achieved what Evita Perón never could: From an unknown cabaret dancer she became the first female president of the Americas. But after surviving prison and exile under South America’s most brutal military dictatorship, Isabel was forgotten in popular memory. “Una casa sin cortinas” (A House Without Curtains) uncovers why Isabel still haunts Argentina today.
Through browsing your computer desktop, opening folders, sounds and visiting some web pages. The director traces various routes on his screen to generate fragments of an autobiography.
Through browsing your computer desktop, opening folders, sounds and visiting some web pages. The director traces various routes on his screen to generate fragments of an autobiography.
A meditative observation of the poetry present in the world of Pedrito, an elderly man of the mountains and relic of a time that no longer exists, while he comes to an understanding of his physical mortality and becomes aware of his spiritual immortality.
In the solitude of a hospital room, a video game console becomes a powerful aid for admitted children to smile, lift their heads and discover their desire to win.
Delia has been writing poems ever since Jorge, her husband, was imprisoned during a dictatorship. These texts were her refuge, a place where she could express what she never shared, what she had to put aside to support her family. When the dictatorship comes to an end, freedom seemed to have come for everyone, but she continued writing. Today, Delia hands me her poems to share with her family.
Decades earlier, Mama Icha moved to the United States to help her daughter with the care of her grandchildren. However, she never lost sight of her hometown of Mompox, spending years sending money to build her dream house there. Now, at the end of her life, Mama Icha boards a plane and flies back to Colombia where she bravely struggles with her loved ones.
In Sarajevo, Bosnia and Herzegovina, Mirsada and her daughter survive in a shelter in the hope of finding a home. In Tbilisi, Georgia, elderly Bela struggles to recover the bodies of those missing in the war in Abkhazia. In Greece, Alia and Hussein, who fled the war in Syria, long for a reunion with their daughter Zozan.
In 1961, after being expelled from the monastery where he had entered seven years earlier, Justo Gallego bought a little book on cathedrals and castles and set about the task of clearing his own land of five thousand square meters, determined to build a cathedral in honor of the Virgin of the Pillar.
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