First documentary dedicated to rescuing from oblivion the figure of the “other Che”: Carlos Fonseca Amador (1936-1976), founder of the Sandinista National Liberation Front. It was filmed from 2010 to 2011 in key places such as León, Pancasán, Zinica, Managua, Estelí, Matagalpa and Havana after a two-year investigation in search of those who knew him personally among the leaders of the Sandinista Revolution and anonymous collaborators such as the peasants who fed his guerrillas.
First documentary dedicated to rescuing from oblivion the figure of the “other Che”: Carlos Fonseca Amador (1936-1976), founder of the Sandinista National Liberation Front. It was filmed from 2010 to 2011 in key places such as León, Pancasán, Zinica, Managua, Estelí, Matagalpa and Havana after a two-year investigation in search of those who knew him personally among the leaders of the Sandinista Revolution and anonymous collaborators such as the peasants who fed his guerrillas.
The director leaves his native country and adapts to new territories. Inside his work routine in a New York City restaurant, messages from his family come and go, shattered pieces of lost paradises.
The director leaves his native country and adapts to new territories. Inside his work routine in a New York City restaurant, messages from his family come and go, shattered pieces of lost paradises.
Bruma is a visual documentary chronicle about the fragility and, at the same time, the integrity of life. Bruma observes and contemplates the human condition and the different ways of existing through the metaphorical space of the sea, the fishing cycle and the human beings who survive from this ancestral relationship.
Bruma is a visual documentary chronicle about the fragility and, at the same time, the integrity of life. Bruma observes and contemplates the human condition and the different ways of existing through the metaphorical space of the sea, the fishing cycle and the human beings who survive from this ancestral relationship.
In the banks of the Victoria River, a fish merchant buys the product of the humble fishermen who inhabit the islands of the province of Entre Ríos (Argentina). In exchange for their fishing, he offers them a small amount of food in return.
In the banks of the Victoria River, a fish merchant buys the product of the humble fishermen who inhabit the islands of the province of Entre Ríos (Argentina). In exchange for their fishing, he offers them a small amount of food in return.
This documentary highlights the influence of one of Mexico's most impactful breaking collectives in Ecatepec, a region known for its violence and marginalization. It explores how breaking has become a powerful act of cultural resistance for local youth, fostering friendships and community bonds grounded in a philosophy of peace, fun, unity, and respect.
This documentary highlights the influence of one of Mexico's most impactful breaking collectives in Ecatepec, a region known for its violence and marginalization. It explores how breaking has become a powerful act of cultural resistance for local youth, fostering friendships and community bonds grounded in a philosophy of peace, fun, unity, and respect.
Every year, for one week, more than 150 trombonists come from different countries to meet in Santa Fe, a small city on the banks of the Paraná River, where they participate in collective courses and individual classes, and perform and listen to music.
Every year, for one week, more than 150 trombonists come from different countries to meet in Santa Fe, a small city on the banks of the Paraná River, where they participate in collective courses and individual classes, and perform and listen to music.
Spanish actress Charo López finds it hard to talk about herself; but she only needs to start reminiscing to discover that her life has been truly exceptional. The story of a legendary actress told by herself.
Unspeakable events occurred in the town of Manta. Several young women had to flee from there and were despised forever. They were condemned without anyone asking why they did it. Thirty years later, Magda decides to return to rediscover her past, now that she is facing a judicial process that can restore the dignity and honor that her people have denied her. She feels watched, judged in this frozen place in time, until her friends come to accompany her and a little light appears again.
Three filmmakers recorded three women from different generations that they met through their virtual testimonies where they revealed personal experiences of violence. Although they do not know each other, they contrast their reflections, similarities, frustrations and differences about growing up as a woman in a context shaken by gender gaps.
Two men measure the heights of pine trees. A woman listens to what the trees are saying. The children of the village set up the camp. A cloud of digital dots reveals the forest. The pines have said that we can ask. They always called this place 'Paraíso'. Machines will come soon.
Twenty-two years after the massacre perpetrated by paramilitary groups in complicity with the government, the people of Acteal celebrate their martyrs and persist in their demand for justice.
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