Rocío, a 17 year-old transgender girl in Rosario, fights for her identity amidst bullying, discrimination, and oppression. She champions LGBTQ+ rights, standing strong as a beacon of hope for those seeking acceptance and equality.
The audiovisual shows the perspective of the sister of Tamara Salazar, a victim of femicide in Corrientes. María, that is her name, describes one of the protests in front of Criminal Court No. 1 of the City of Corrientes. There he had managed to circumvent the police fence with his cousin and his nephew. Between laughter and questions, her voice traces a dialogue where she questions the actions of the forces, while demanding against the acquittal of her sister's murderer.
Five friends and film students live together during the second Entre Ríos International Film Festival. With the park of the city of Paraná as a stage, the group reflects on the exercise of cinema and enjoys between films, music and substances.
“Paco Foto”, a photographer from the years of the “landismo”, and the Swedish women in bikinis and the television raffles for flats in Torremolinos, recalls his life in the times when Franco’s Ministry of Tourism forged the sangria-and-paella tourism in the recently invented Costa del Sol.
Days before the Preventive and Compulsory Social Isolation (“The Quarantine”) is declared, three voyeurs put together a casting to film a documentary essay on the intimate, selecting six actresses and three actors, between 24 and 37 years old. They are asked to record their daily lives with their cell phones during confinement. They must perform tasks that will be sent to them during the week. The only rule is not to act, in order to discover what is genuine in the face of so much social exposure. A hypothesis worries the voyeurs: Is the intimate in danger of extinction?
Former boxer Gregory Canelón gives himself with high commitment and dedication to the demanding task of training a diverse group of boys and girls from the most populous communities of the city of Caracas in the arduous discipline of boxing. The lives, fears and hopes of his young students are woven in a deep and inspiring way in Gregory's intimate struggle to achieve redemption, to resize the traumas of the past and thus overcome the uncertainty that the future implies for all.
In search of adventure and fleeing from himself, Álvaro (70) arrived in the United States from Colombia 45 years ago. Instead of escaping his demons, however, New York provided ways to bring him face to face with them, dragging him into a life of raw extremes and uncertainties. Recently separated from Doris, his only true love, Álvaro finds himself alone in his small Harlem apartment and decides to return to Colombia to try to reunite with his estranged family. 'Álvaro' is an intimate portrait that exposes the unhealed wounds of loneliness and uprooting, but also the strength of a man who refused to give up.
Starting in 2017 Evgeni followed his grandparents to understand how exile has affected his family. The film is based on interviews with Marta and Alejandro who tell their grandson about what happened during the military coup and how their lives changed drastically. There are interviews with their children who live in Sweden and the family who stayed in Chile and lived through the dictatorship. The documentary is about exile, farewells and reunions about growing old with families in two countries and about love that lasts forever.
A look at the public man who sought, in the midst of a turbulent period, to modernize the nation. With various programs and projects, he confronted the different forms of violence that Colombian society was experiencing and sought to advance in the fight against exclusion and marginalization.
In Venezuela, Pedro lives above three thousand meters, the only descendant of the first Venezuelan to climb Pico Bolívar who stayed to live among the mountains. With no neighbors or close relatives, Pedro lives in solitude accompanied by his best friends and dreaming of love.
An invisible narrator speaks (without temporal notion) about the reminiscences that evoke in him an introspective journey through memory, therefore, through pain. A short film about romance, and like every romantic piece, written from remembrence. A tear. My cinematic self portrait.
The Stella Maris Berria is a tuna vessel destined for scrapping. However, Iñigo Mijangos and Iñigo Gutierrez, two members of the NGO Salvamento Marítimo Humanitario, have an unusual idea: to transform the fishing boat into a rescue boat to save refugees drowning in the Mediterranean Sea. That is how Aita Mari was born.
This is the journey that Ángel Parra Orrego undertakes on the 100th anniversary of the birth of his grandmother Violeta Parra, proposing to reinterpret the album Las últimas Composiciones, recorded shortly before her death and which would become a fundamental and emblematic piece of popular culture in Latin America. To this end, she turns to her sister Javiera and her father Ángel Parra, and they call together different musicians and singers with whom they live and relate intimately what it means to reinterpret the great Violeta Parra and her work.
A musical journey through the Atacama Desert, meeting the drum and percussion. The musician Pedro Greene —founder of historic bands from our country, such as Blops and Cometa—, takes an inspirational journey, meeting people and sounds related to construction and the ritual sense. A tribute to musical enjoyment and the sound nature of the landscape.
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