The Serranía Baja de Cuenca (Spain) is a land where two species of almonds are grown: larguetas and marconas. When the artist went to shake the almond trees with they family, Cienfuegos understood "mariconas" (faggot, in Spanish) instead of "marconas".
Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.
This pseudo diary film is made of found materials from an unfinished 16mm film. Potenciais à Deriva is a film started by a Brazilian artist under a pseudonym while living in exile in Los Angeles, California. Isolated shots and previously assembled scenes reveal an intention to create a mysterious film comprised of disembodied interviews, empty rooms, radio recordings, soccer games, and sudden apparitions of the filmmaker that slowly ruminates on Brazil's colonial past, North American Imperialism and the military dictatorship of the time in a paranoid and anxious manner. Be aware that the film's final version never came to exist. This version presented is my mere attempt to produce a film with these otherwise lost images.
Lucha libre is part of Mexican culture, but how did something that was shown in circuses and fairs become a cinematic genre? Join us to learn about this trajectory.
With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.
Black dust, shrill metallic noises, dark tunnels, muscular bodies – all that is the past. At the end of 2018, extraction of coal throughout Germany came to an end. That same year, the voices of the emerging climate protest movement Fridays for Future grew louder. Against the backdrop of these media and socio-political events, the film follows five miners on their tragic, humorous and heartwarming search for a new role in life.
With the construction of the Indian planned city of Chandigarh, the Swiss and French architect Le Corbusier completed his life's work 70 years ago. Chandigarh is a controversial synthesis of the arts, a bold utopia of modernity. The film accompanies four cultural workers who live in the planned city and reflects on Le Corbusier's legacy, utopian urban ideas and the cultural differences between East and West in an atmospherically dense narrative.
This unique cinematic experience dives deep into an artist’s work and reveals his life path, inspiration, and creative process. It explores his fascination with myth and history. Past and present are interwoven to diffuse the line between film and painting, allowing the audience to be completely immersed in the remarkable world of one of the greatest contemporary artists, Anselm Kiefer. Wim Wenders shot this unique portrait over the course of two years in stunning 3D.
The train carriages in "Miniatur Wunderland" wind their way for kilometers through blooming landscapes and rocky mountain gorges. With the creation of this magical model universe, twin brothers Frederik and Gerrit Braun have fulfilled their childhood dream of building the largest model railroad in the world. Opened in 2001 in Hamburg's Speicherstadt warehouse district, the exhibition now stretches from the Elbphilharmonie concert hall to Antarctica and is one of the biggest crowd pullers in Europe, attracting more than 1.5 million visitors a year. This film now brings this fabulous dream world to the big screen for the first time with elaborate Cinemascope footage as a documentary event.
Lars Eidinger is one of Germany’s most talented and versatile actors with his love of improvisation and physical acting style.
This documentary seeks to dispel some of the mystique surrounding this exceptional actor’s unique art and also provide an exciting insight into the world of theatre and filmmaking.
Mike and Jeanne get to know each other, meet family and friends, touch each other, sleep together, go on holiday together, celebrate birthdays and say "I love you". What complicates things between them: their relationship is based on a contract of 14 clauses that are supposed to define all areas of being together. A small video camera is their constant companion.
We’re travelling from luxury kitchen to luxury kitchen with Agnes, from Bergisch Gladbach via Barcelona to the Faroe Islands. The cook’s luggage always includes her backpack containing various knives, cleavers and tweezers. The camera watches over the inquisitive young woman’s shoulder as delicacies are being prepared. Our mouths water. At the same time, we get insights into the different ways of running a restaurant. It’s about team spirit and equality at the stove.
If history is written by the victors, where does that leave those who were never allowed to be part of the game? A collective of queer athletes enters the Olympic Stadium in Athens and sets out to honour those who were excluded from standing on the winners’ podium. They meet Amanda Reiter, a trans* marathon runner who has to struggle with the prejudices of sports organisers, and Annet Negesa, a 800m runner who was urged by the international sports federations to undergo hormone-altering surgery. Together they create a radical poetic utopia far from the rigid gender rules found in competitive sports.
Following in the footsteps of the Hamburg film director Hans Schomburgk who travelled through the German colony of Togo from Lomé to the north with his companion and actress Meg Gehrts in 1913, Jürgen Ellinghaus screens the footage shot then at its locations in modern-day Togo. Schomburgk’s affirmative images show slave labour, humiliation and the arrogance of the colonial power. The material is contrasted by Gehrts’ romanticising diary entries and other colonial reports which often testify to a horrifying coldness.
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