Documentary movies

A short documentary which, starting from the experience of its five protagonists, takes us inside the team which presents itself not only as a tool for access to sport, but also as a political means for the entire transgender community to claim its identity and all rights denied.

An ancient territorial axis along which a part of the city has been structured. By virtue of its rank, this road will continue to play an ordering role within the city, i.e. the role of a modern armour, becoming the testimony of large complexes and spaces that, since the mid-19th century, have articulated the expanding city and given shape to its new needs: a psychiatric hospital, a cemetery, factories, a shopping centre, an amusement park. These places reject the logic of urban homogeneity, imposing themselves as coherent, autonomous realities. Some authors call these (separate and differently regulated) places ‘heterotopies’. In these places, the spatial dissolution that characterizes contemporary cities is enormously amplified. Boundaries, which are in themselves uncertain, definitively fade, whereby any act of delimitation or attribution of relevance becomes utterly impossibl

Precious and Federico are united by their passion for music. The two teenagers live in the small Italian town of Como. While Federico struggles with his health, Precious suffers from conflicts with her mother.

In The Forest One Thing Can Look Like Another is constructed through the director’s personal experience of living in the remote Himalayan mountain town of Manali, a historically popular destination for shooting Bollywood film songs. The glacial landscape of Manali has become a site where projections of the idyllic countryside are directed — rife with tropes of adventure, eroticism and romance. The work interrogates this thin layer of narrative practices, constructing tableaus of high-altitude mountains as static objects and backdrops for second-hand urban aspirations to happiness, while the precarious reality of living in a highly sensitive ecosystem spins an adventure far removed from most imaginaries.

In a candid, first-time interview with Rachel Lee, the so-called teenage mastermind behind a string of high-profile celebrity robberies in 2008 and 2009, the film examines the motivations of Lee and a group of her friends who broke into celebrity homes in Hollywood to ransack and steal, exploring the possible reasons behind her actions including mental health issues and addictions, as well as the climate of celebrity excess that fueled the teens, recontextualizing the events behind the sensational headlines.

Film icons and genre experts share observations, experiences, and analysis to help reframe, deconstruct, and re-contextualize the "lost" decade of horror: the '90s.

Follow the moment Barrett was kicked out of Pink Floyd, from the narrative of him going from groundbreaking musician to iconic rocker and manic, unstable star.

How would you handle the trauma of losing a loved one? Murders That Matter documents African American Muslim mother Movita Johnson-Harrell over five years as she transforms from a victim of violent trauma into a fierce advocate against gun violence in Black communities.

The Night Visitors is a movie about moths. In large and small fragments, looking both inward and out, through a critical lens that is by turns social and personal, the film closely examines these underknown creatures. While The Night Visitors is interested in moths as organisms, with fascinating life histories, staggering biodiversity, and a functional importance as indicators of climate change and habitat degradation, its engagement with them is not primarily entomological. Instead, the film looks at moths as aesthetic beings and as carriers of meaning, aiming for a deep encounter with the beauty and incommensurability of the profoundly other. The small hours of the night are threaded through with a sense of mortality and loss. Moths, with their trembling and exquisite impermanence, provide both a kind of solace and, in their diversity and difference, a focal point around which the desire to know can be organized.

A forbidding soundtrack of horns and distorted noise sets the scene for Ross Meckfessel’s Spark from a Falling Star, where shots of grocery store parking lots and dimly lit suburban roads breed atmospheres of low-level menace. At the other extreme, smooth digital renderings promise a shiny, spectral future utopia of clean lines and mirrored grids.

Three bandmates set out to professionally record their passion project - an extended playlist of songs they have been hard at work with. This is a documentary about the experiences of starting a rock band and the cost of what it takes to reach a fulfilling outcome. From the visionary minds of REVERA, a grunge-inspired rock band from Alberta, Canada.

In the aftermath of the deadly "Unite the Right" rally in Charlottesville, Virginia, a civil lawsuit was filed against white nationalist leaders and organizations on behalf of plaintiffs who suffered injuries while peacefully counterprotesting. This documentary chronicles this seminal civil rights trial, exposing a broad network of conspirators and detailing the challenges of holding those leaders and organizations liable for their actions.

A hidden grassroots organization doggedly fights to expand access to abortion pills across the United States keeping hope alive during a global pandemic and the fall of Roe v. Wade.

As Philadelphia artist G Kellum prepares for an upcoming gallery exhibition, he reflects on his artistic origins, life philosophy, and complicated relationship with success.

A lyrical and spiritual cinematic essay on The Exorcist, the last film of Alexandre O. Philippe explores the uncharted depths of William Friedkin’s mind’s eye, the nuances of his filmmaking process, and the mysteries of faith and fate that have shaped his life and filmography.

Borders have defined Sansón’s life. There’s the physical and psychological border between Mexico and the US. And now, looking at a life behind bars, there’s the one that separates him from his loved ones. Since it is forbidden to film inside the jail, Reyes recreates Sansón’s life – with the help of his family – through letters and by casting an untrained actor to play his friend. The resulting film is a reflection on migration, the notion of family, what it means to see one’s life on film, and the harshness and injustice of the US prison system.

The life of Juan José Gorasurreta is pierced by images. In his new feature film, the historic film society programmer appropriates the films that made him in order to find new relationships and patterns and thus generate a convergence between his personal life, that of Argentina and that of cinema. In The Absences his travels coexist with Orson Welles, activism, Fernando Birrri, the Cordobazo, his studies, Eva Landeck, family, Carlos Echeverría, the Trelew Massacre, Nagisa Ōshima, censorship, film societies, the Malvinas war, his short films. The randomness of this list vanishes as the film progresses, and gives way to a synapse that is as logical as it is moving. “It is a portrait on how Argentine history and my encounter with films designed my sensitive areas” —as he did with his own story, no one could define The Absences better than Gorasurreta himself.

A communist poet and radical journalist, a secret State killing, an attempted revolution sparked in the village of Naxalbari at the Himalayan foothills. Setting out to tell the story of the slain revolutionary Saroj Dutta (lovingly known as comrade S.D.), the film gets drawn into a vortex of his tumultuous times, tracing turns and twists of the communist movement in India over three decades. A search by present-generation filmmakers, the film uses personal and public historical archives and conversations with rebels of the Naxalbari rebellion. Five decades later, the film holds a key to understanding the turbulent, audacious sixties and seventies in India and the world.

A short film that uncovers the hidden truths of the Hijra community, struggling to navigate through a society that has all but rejected them. We follow the intrinsic lives of three trans women who forge different relationships within society.

An intimate portrayal of Suvana Sudeb, a transgender person, who undergoes Gender Affirmative Surgery in order to negotiate the conflict of body and mind. This decision creates turmoil in her family, who fear societal backlash. As love remains elusive as always, Suvana realises that the surgery could not change her destiny, forcing her to reconcile with reality anew.

It was 25th August of 2017 when mass Exodus has happen at Cox’s Bazar District of Bangladesh and now Kutupalong of Cox’s Bazar has largest refugee camp site in the world with Rohingya population from Myanmar those who are known as most persecuted minorities. This Feature Documentary Film focusing on their oppressed life and covering the present status of Rohingya Community while they have completed 2 years in the camp with all their disastrous past, restricted present and uncertain future.

In this era of advanced globalization, Music of Rejuvenation upholds spectacular works of fusion created more than a hundred years ago by some of the best creative minds of Bengal Renaissance. The music still holds the power to stir the hearts of the present generation. It is being rejuvenated and reinvented recurrently by musicians of present times.