"Spontaneous Generation, 10 years of Design in Mexico" is a visual and investigative work that casually recounts the events of the creative environment over 10 years and at the same time generates and answers the viewer, the question: Where do you Are you currently finding Design in Mexico?
A feature film that focuses on the particular relationship that a group of women entertain with cats that live in an abandoned vacant lot in the Colegiales neighborhood. An intrusive camera, almost imperceptible to the neighbors and to the cats, immerses us in the day-to-day life of the animals and the women who are dedicated to feeding and caring for them.
A musical road movie that takes us on a trip through South America with bands such as Él mató a un policía motorizado, Mundaka, Niños del Cerro and Carmen Sandiego. With a variety of formats that trace a plexus of dissimilar experiences, the film finds in self-management and companionship the common story of independent rock.
What gifts have the gods given us, and how might we use them to weave a community? In San Pedro Amuzgos, Oaxaca, the director’s reflections and questions invite us into his world, where we learn the story of three threads in the communal loom: Lorenzo, Donato and Zoila.
Chile's national stadium was the scene of thousands of celebrations for one people, as well as the suffering and torture of thousands more. The CSD Colo Colo reaffirms its position of justice and memory.
After his mother falls ill, filmmaker Humberto González Bustillo flies back home to be by her side. Before his return, he remembers his childhood, and in turn recounts the colonial interests in Venezuelan lands, together with the continuous oil crisis.
In El Quiñon, a newly-built but half-finished city in Spain, the ochre facades are juxtaposed to the fields of La Mancha. Residents talk about their hopes and dreams, illustrating through these revelations different ways of living in a city that was hard-hit by the financial crisis – and its continuing fallout – of 2008.
Alma Rodríguez is the first woman to graduate in saxophone in Mexico, surrounded by the mysticism that is placed on those who stand out in her midst, we will delve into this history that ranges from student strikes to problems faced by women in Mexico; we will lift the veil that covers Alma and we will discover who she is inside her. In these times of change, it is time to meet those who led the way.
Zoila and Marta have become friends in the residence where they live because they have the same goal, to escape quickly from the place. In their day to day life, they plan original escape strategies as they need to return home urgently, one to feed her husband and the other to take care of her mother.
In a juvenile detention centre in Chile. At night, young people are seized by nightmares as they wait to be prosecuted. An exploration of the relationship between their lives, crimes, and nightmares.
A glimpse over the Diguillín River through the mechanical eye of an old digital camera. Light’s trail presents itself fortuitously over the reflection of the sun on the water, tracing infinite threads of concrete luminous information.
A group of filmmakers arrives in Santiago de Chuco, a town in the Peruvian highlands where the poet César Vallejo was born. With the excuse of a casting, the filmmakers appropriate the theater and the inhabitants of the place arrive, revealing little by little some lives embraced by the aura of the poet, who died in Paris seventy years ago. All of them, inhabitants and filmmakers, are confused between verses, stories and poetry. Fantasy emerges and characters like the blind Santiago-who rings the bells always warning something-; or the young musician Elder - whose desires loom like a cornucopia-trace a liminal path between fiction and reality.
With analog and digital material collected during her stay on a "Work Trip" taking care of children in an American kindergarten as a migrant. I'm not speak English proposes —as a visual autobiography— to make visible a phantasmagorical light as a metaphor for the sudaca's bodies that work in invisible care task. Migrant bodies who bear as an imperceptible force the North American Nation.
A photograph of an unknown Mapuche great-grandmother is the starting point of this documentary essay. Through the analysis of said picture, conversations with family members, a trip to southern Chile cities, and an actress who re-enacts the photo, we see the existing prejudice against indigenous people.
The life and experiences of six emblematic Chilean actors. One by one, they relate aspects of their trajectories, origin and dreams, reliving and analyzing not only their careers, but also happy and historical moments that marked their lives.
Known for their ranching abilities and their endurance under extreme weather conditions, both Joaquín and Victor leave their families behind to pursue their dreams of earning enough money to buy land of their own back in Chile.
Coronavirus, The Pandemic deals with the social, economic, personal, professional, and emotional consequences on freelancers, health workers, businessmen, actresses, technicians, hoteliers, tour operators, journalists, teachers, and psychologists.
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