Every now and then a production comes along that such an absolute gem, it has you lost for words.
A Handmaids Tale, is based on the novel by Canadian author Margaret Atwood . I have not yet read the book but if this series is anything to go by, it will, I'm sure, make its way into my collection very soon.
On the surface the premise behind the series seems novel. Yet when you consider the fate of women in contemporary and historic theocratic societies, its not so far fetched. Indeed, what Atwood has rather cleverly done, is transplant aspects of life in theocratic societies, most notably Medieval Europe and Puritan colonial America, into a futuristic setting using civil war as a vehicle. A biological imperative is introduced too, in the form of pollution induced human sterility. Fertile women in Gilead (formerly the USA) are reduced to human incubators, their only imperative to produce children.
On face value, this might seem to be a story about the subjugation and commoditization of women. Indeed, it is that. Yet, what this series is ultimately about is the hypocrisy of intolerance. Not just women but any individual or group, who diverge from the rigid religious script, meet a grim fate. Meanwhile, those controlling the dialogue, are more or less free to make and break their own rules, as they see fit. Even those who do follow the societal script, often do so for reasons that are in opposition to those they claim to uphold.
For my money everything about this series is superb. Elizabeth Moss is a wonderful, off beat choice, for Offred the handmaid to a powerful commander, who is directly responsible for hers and others suffering. Joseph Fiennes, is capable in the role of the superficially charming but emotionally empty commander.
Update: Yes a decent series but, for my money, its run on too long and now simply appears to be recycling the original script with a few twists and turns. At times, in my opinion, perilously close to looking like misandry, too.
In short, an engrossing, thoughtful and engaging series but it needs to come to a close, as it no longer has much more to say, that has not already been said.
People are going to look back at the Censorship decade and think that this and Harry Potter are the only two books the cancel culture freaks read...
... and then realize that they were both adapted for the screen.
This was good when they made it for HBO in the 1990s when it had an actual plot and was actually pro-Atwood.
Only the people that made this turned on Atwood during #MeToo when she spoke out in favor of Due Process and then it slowly started to distance itself from her IP... as it became more and more in your face political.
And that is when things like this lose me.