Conclave (2024)

Conclave is a film for those willing to immerse themselves fully. It's a slow-burning, almost hypnotic narrative where every word, every pause holds weight. There's no attempt to shock or force drama here. This is a measured, deeply atmospheric experience.
Ralph Fiennes delivers one of the finest performances of his career. His character is like a wall with cracks—you peer into them and sense the storm brewing behind. His restraint is captivating, and when he finally raises his voice, it feels like the rupture of silence itself, as if his inner chaos can no longer be contained. These moments tear through the screen.
Berger crafts an utterly unique atmosphere. The Sistine Chapel, the endless papal corridors, shadowy corners, and striking red-and-black tones transform into active participants in the story. This isn’t just a backdrop—it’s the film’s lifeblood.
Stefan Fontaine’s cinematography breathes life into these walls, slicing through spaces with long takes and obsessive symmetry. Each frame feels like a gallery piece—it’s a joy to watch.
Volker Bertelmann's score beats like the film’s heart, tightening the tension to its limits. His thunderous, almost liturgical chords make each vote feel monumental and decisive.
The most fascinating part: the story unfolds gradually. While the initial monotony of dialogue may seem tedious, the deeper you dive, the more palpable the tension becomes. The intrigue builds, and the details—from the architecture to the character dynamics—form a compelling tapestry of a near-detective political thriller.
But the ending… It leaves you questioning whether the journey was worth it. On one hand, the open-ended conclusion provokes reflection. On the other, it might leave some viewers puzzled or even underwhelmed.
Yet, Conclave is undeniably a film for connoisseurs: profound, meditative, and aesthetically impeccable. It’s not just about Vatican intrigue; it’s a deeply symbolic story of power, faith, and doubt. Berger’s mastery of space, Fiennes’ magnetic presence, and the soul-piercing score come together to create one of the year’s most stylish and powerful films.
4.5\5, Thank you for taking the time to read a humble opinion from a lover of good cinema.

The ending was absolutely ridiculous, clearly designed to cater to a modern audience while pushing propaganda. Although I'm not Catholic, I find it insulting that an otherwise enjoyable film was overshadowed by this audacious shift in tone.