A Perfect Murder (1998)

This is one I've seen a few times over the years (last time was nearly 10 years ago). Wonderfully devious performance from Michael Douglas and Gwyneth Paltrow holds her own (and looks great). Not an amazing thriller but kept my attention to the end. Fine direction by Andrew Davis who a few years before directed the great thriller, The Fugitive. **3.75/5**

You should thank me. Artists are always appreciated more after they're dead!
A Perfect Murder is directed by Andrew Davis and written by Frederick Knott and Patrick Smith Kelly. It stars Michael Douglas, Gwyneth Paltrow, Viggo Mortensen, David Suchet and Sarita Choudhury. Music is by James Newton Howard and cinematography by Dariusz Wolski.
A powerful husband. An unfaithful wife. A jealous lover. All of them have a motive. Each of them has a plan.
A re-imaging of "Alfred Hitchcock's Dial M for Murder", which itself was by the great director's admission not one of his best, Andrew Davis' ("The Fugitive") film may not reach great heights, but it at least is its own animal. The twists and turns are solid enough for entertainment purpose, and suspense is never far away. The characterisations bring about differing and alternating responses from the viewers, which is a nice trick in the tale, and while the finale seems a touch "popcorn crowd appeasing", this rounds out as a satisfying suspense thriller. 7/10
Excellent performances, with interesting twists on the original film, and compelling direction by THE FUGITIVE‘s Andrew Davis highlight this intriguing suspense film. The film isn’t without it’s flaws, as you may find it difficult to resolve the fact that you’ll probably wind up rooting for the murderous Douglas not only due to his usually being the good guy in his films but because the lovers are severely flawed characters most will think deserving of getting offed, especially the lame-ass Mortensen as Paltrow’s love interest. With PSYCHO and REAR WINDOW also being made this year, I am left with mixed feelings about this latest trend. On the one hand, these remakes speak to the fact of Hitchcock’s timeless themes in his films, while on the other hand it points out that Hollywood has perhaps run out of ideas when even a remake of a middling Hitchcock film is one of the better thrillers to come out in recent years.