Prisoners (2013)

Be prepared for the worst, but hope for the best. Pray for the best, but prepare for the worst.
Prisoners is directed by Denis Villeneuve and written by Aaron Guzikowski. It stars Hugh Jackman, Jake Gyllenhaal, Viola Davis, Terence Howard, Maria Bello, Melissa Leo and Paul Dano. Music is by Jóhann Jóhannsson and cinematography by Roger Deakins.
When Keller Dover's (Jackman) daughter and her friend go missing, he takes matters into his own hands...
At first glance of the plot synopis, one could be forgiven for thinking this is yet another revenge thriller filled out by police procedural side-bars. How pleasant to find that Prisoners has more to offer than a simple who is the criminal? And just how far will a vengeful father go to satiate his grief?.
Prisoners is such an apt title because all the main players here are trapped by either mental fragility or victims of their innocence, guilt or chaotic impulses. It's a multi stranded character piece that poses many questions, while of course it has a big mystery element. The narrative features a whole host of clues that might be something, or not, unanswered questions dangle throughout until the finale reveals thge edgy secrets.
It's safe to say that the themes at work here are dark and upsetting, with the core abduction thread siddling up against horredous back stories, torture and religious mania. Gruzikowski's screenplay is quality, mesmerising even, there's no lazy filler or extranous sequences, even as the jigsaw pieces are put together in the last quarter, you may find yourself wondering how you missed something so simple?.
This was Villeneuve's first English language picture, and it's not hard to see why he was highly touted as one of the next big director beings - his output that followed subsequently bears this out. His control of mood and pacing is superb, his garnering of high quality perfs from his cast (notably Jackman and Gyllenhaal) is impressive, and his teaming with the great Deakins is a match made in photographic heaven.
This is adult film making, a thriller designed to illicit emotional responses from the audience. Relentless and powerful, a troubling examination of the human conditioning in various guises - and we are witnesses. 9/10

Prisoners is a largely generic revenge / suspense / mystery "they have my kid" tale with a predictable plot that gives itself away too early. No attempt at realism, this is Scooby-Doo style investigation - lie detectors are treated seriously, "bad guys" are largely 1-dimensional with poorly explained motives designed to surprise rather than give insight, etc.
It tries to make up for this in a few ways: a) bump up the intensity of scenes (comes across forced and awkward), b) add extra violence and dark semi-religious symbolism (seems out of place and largely meaningless), and most importantly c) maintain an air of mystery by throwing left-field plot points at you every 3-5 minutes to keep your attention.
If you carefully note the clues, about half way through the film it strongly indicates the finale. After that the air of mystery that keeps the film feeling suspenseful largely dissolves and you are left with what feels like a AI-generated script desperately trying and failing to throw you off the initial clues.
The film's greatest redeeming quality is its attempt to turn some revenge film character archetypes on their head. It is not always successful, but the attempt to break cliches is always welcome! I suspect a much better film will be inspired by this.